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Volume 1
Volume
2
Volume
4
Volume 5
Volume 6
Volume
3 2005
Table
of Contents
Andrea Best
The Nose Knows, (poem), 7
Mona Birch
The
Parable of the Leper, (poem), 8
My Mother’s Hands, (poem), 10
Sweet Reconciliation, (fiction), 12
Ronald Emerick
The Witch in the Closet: Symbolism
and the Search for Self in Gail Godwin's Father Melancholy's Daughter,
(critical article), 24
Susanne Eules
waking
up view out of the sleeping-car compartment, (poem), 36
Andrea Greenbaum
Swingin' Dicks
The Emergence of the Masculine in Three Works by Tim
O'Brien: If I Die in a Combat Zone, Going
After Cacciato, and The Things They
Carried, (critical article), 37
Tsipi Keller
Letter,
(poem), 52
Suzanne Keyworth
Moving Day, (poem), 54
Richard
Londraville
Climacteric,
(fiction), 55
Charles J.
Marr
Excellence if
Big Trees, (poem), 60
Revival, (poem), 61
Sand Painting, (poem), 62
Jesse Millner, II.
Aquelarre, (poem), 63
Holy Tortilla!, (poem), 64
Diane Mooney
1967,
St. Pete Beach, Florida, (poem), 66
Seven Questions for Tim Dorsey,
(interview), 67
Alejandro nodarse
When
it Falls, (poem), 70
Relief, (poem), 71
Robert oxley
To
My Mother, (poem), 72
Michael L. shuman
Jefferson’s
American Aesthetic and the Paintings of John Trumbull, (critical article), 73
Neal storrs
Cue
the Harp, Arpeggio, (fiction), 83
Alison watkins
Blind Man’s Stick, (poem), 96
6 a.m., (poem), 97
A Brief Interview with Suzanne Keyworth
Regarding Her New Book, Markers, (interview), 98
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Florida
English
Editors’
Note:
Appropriately,
this issue of Florida
English received what
can be described as a windstorm of submissions from across America, and
particularly from the sunshine state.
The editors are very pleased.
We are sorry, too, that we could not print the majority of the
work read. But do keep the
interest and support coming because we plan on being around for a while.
Included in the journal for the first time are two interviews,
which means that we are now considering for publication short interviews
with authors. In addition,
if you have published a book of fiction, non-fiction, or poetry and
would like the Editors or an Editorial Board member to perhaps review
it, send us a copy. Thus
this third issue of FLeng
breaks some new content ground.
Do you like the sobriquet FLeng?
We hope so, because that is what is getting stitched on our ball caps
when we have enough money left over to order such postmodern
extravagances to give out as gifts to particularly diligent or generous
supporters. Don’t hold
your breath, even though associate editor Richard McKee is considering
selling one of his guitars to fund the hat project.
We are still very much non-profit.
Meanwhile, keep spreading the word; keep sending us stories,
articles, poems, etc.; and continue to share Florida
English with your friends and colleagues.
We truly appreciate your support.
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